Hellraiser Quartet Of Torment Limited Edition 4K UHD [Blu-ray] [2023] [Region Free]

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Under the Skin: Doug Bradley on Hellraiser III – archival interview with the iconic actor about his third appearance as ‘Pinhead’ The Hellraiserseries has a history that is unlike most long running horror franchises. Originally released in the late 1980s, when the slasher genre reigned supreme and audiences had been fed a steady diet of movies like Friday the 13th, A Nightmare on Elm Street, and Halloween, Hellraisercame along and did something completely different. Brand new audio commentaries for all four films by film critic Kim Newman and Hellraiser unit publicist Stephen Jones, also joined by screenwriter Peter Atkins on Hellraiser: Bloodline

The movie adds extra lore to the series making reference to the Channard Institute and Kirsty Cotton (Ashley Laurence). We also get to see more of Captain Elliot Spencer before he became Pinhead.

Review: Hellraiser 4K Restoration A Cinematic Journey Into Hell

Horror, Thriller | UK/USA 1987, 1988, 1992, 1996 | 18 | 23rd October 2023 (UK) | 4K UHD | Arrow Video The failures of Hellraiser III: Hell on Earth are often seen as the beginning of the end for the series, the start of a downward spiral that would produce terrible movies. However, Hellraiser IV: Bloodline, the fourth film, actually ends up being much better than its predecessor. This is perhaps due to the involvement of Barker, who returned to help produce the film. Hellraiser IV: Bloodline delves into the history of the series, providing an origin for the Lament Configuration (first named in this film), as well as continuing the story from the end scene from the previous movie, and acting as a final conclusion to the entire series. It does this by telling a story across three separate times in perhaps the boldest move in the series yet. Newly uncovered extended Epk interviews with Clive Barker and stars Andrew Robinson, Clare Higgins, Ashley Laurence, and effects artist Bob Keen, shot during the making of Hellraiser, with a new introduction by Stephen Jones and Kim Newman Hell Was What They Wanted!, a brand new 80-minute appreciation of Hellbound, the Hellraiser mythos and the work of Clive Barker by horror authors George Daniel Lea (Born in Blood) and Kit Power (The Finite) The Beauty of Suffering, a brand new featurette exploring the Cenobites connection to goth, fetish cultures and BDSM

Newly uncovered workprint version of the film, providing a fascinating insight into how it changed during post production Hellbound: Hellraiser II expands on Barker’s original vision as screenwriter Peter Atkins takes Julia Cotton, her step daughter Kirsty (Ashley Laurence) and the sinister Dr. Channard (Kenneth Cranham) into the dominion of the Cenobites themselves. Hellraiser III: Hell on Earth sees Pinhead set loose on the sinful streets of New York City to create chaos with a fresh cadre of Cenobitic kin. Then, Hellraiser: Bloodline sinks its hooks into past, present and future with the story of Phillip LeMarchand, the 18th-century toymaker who made the lament configuration puzzle box, his descendent John Merchant – a 20th-century architect whose most recent building bears a striking resemblance to the lament configuration – and Dr. Paul Merchant, a 22nd-century engineer and designer of The Minos, a space station which is a great deal more than it seems. The film delves into hell, taking the audience and characters there, and shows us that the Cenobites were once humans themselves; a fact that would play heavily into subsequent movies. The inclusion of the Escher inspired hell-world, the unknowable god Leviathan, and the further machinations of Julia, expand the story and setting in ways that most horror sequels simply didn’t do. But it’s by no means perfect, and the over-designed nature of the Channard Cenobite and the destruction he wreaks feels like a foreshadowing of the third movie, and leads the final act of the film to be the weakest part of the movie. Being Frank: Sean Chapman on Hellbound – archival interview about the actor’s return to the role of Frank CottonFlesh is a Trap, a brand new visual essay exploring body horror and transcendence in the work of Clive Barker by genre author Guy Adams (The World House) A more contained story than what was to come, it followed a family; Larry ( Andrew Robinson), his wife, Julia ( Clare Higgins) and their daughter Kirsty (Ashley Laurence) as their family gets torn apart (quite literally in some cases) by lust, obsession and murder. It was of course the first appearance of Pinhead ( Doug Bradley) who was to become a horror icon, standing alongside the likes of Jason Voorhes and Freddy Kreuger. Whilst the first film kept its setting unknowable, and the second mixed together the US and UK even more, the third film takes a strong stance on setting, and moves things to New York, where we meet young reporter Joanne ‘Joey’ Summerskill (Terry Farrell), who is haunted by dreams of her father dying in Vietnam. Whilst out on a story she stumbles across a mysterious death that leads her to a nightclub where the owner has a strange, column-like statue that contains the spirit of Pinhead following his apparent destruction in the second film. Unbound to the puzzle-box, and with his human spirit now separated from him, Pinhead seems to play by new rules, and will wreak death and destruction on anyone he can unless he can be returned to his former self. Hellraiser is a series that took risks when it first came out, that challenged the sensibilities of the time, and was something of a subversion of the horror genre that people were used to. It ushered in a new kind of horror, and created an icon of the genre that has become instantly recognisable. Whilst the subsequent films in the series vary greatly in quality, with some decent psychological horrors to be found in the later movies alongside some absolute trash, the first four movies are a pretty good representation of the franchise as a whole, and show off some of the different directions it would take. This new set might be pricy, but it offers up some great movies, and if you love going behind the scenes and learning more the extra features are a goldmine.